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MICHAEL B. JORDAN
MICHAEL B. JORDAN Two Presences, One Face Oscars 2026 Serge Leterrier — For Diamont Média Sinners leaves this Oscars night with four statuettes that outline a complete victory: Best Actor for Michael B. Jordan, Best Original Screenplay for Ryan Coogler, Best Original Score for Ludwig Göransson, and Best Cinematography for Autumn Durald Arkapaw. Best Actor Oscar for Sinners I @ screenshot live ABC Best Actor for Sinners “Here, the performance comes down to one thing: crea
Serge Leterrier
Mar 164 min read
ONE BATTLE AFTER ANOTHER
ONE BATTLE AFTER ANOTHER A film of Paul Thomas Anderson War as a Tribunal Academy Awards 2026 By Anthony Xiradakis At the 98th Academy Awards , One Battle After Another earned 13 nominations and won six Oscars : Best Picture , Best Director (Paul Thomas Anderson), Best Supporting Actor (Sean Penn), Best Adapted Screenplay , Best Film Editing , and Best Casting . This recognition marks a singular moment: Hollywood is honoring a film that sidesteps the usual action-thrille
Anthony Xiradakis
Mar 168 min read
PROJECT HAIL MARY
PROJECT HAIL MARY A film by Phil Lord and Christopher Miller Solitude as a Planet By Imanos Santos Amnesia — Ingenuity — Alliance A man wakes up far from everything, without memory, with emptiness as his only neighbor. Project Hail Mary tells a space mission, yes, but above all an inner experience: solitude pushed until it becomes a planet. And in that total silence, the film offers a sharp, deeply contemporary idea: what saves us is not only a solution, but an alliance. You
Imanos Santos
Mar 135 min read
DISCLOSURE DAY
DISCLOSURE DAY The Day the World Loses Its Voice Anthony Xiradakis "When speech fails, reality demands a new consciousness." — Anthony Xiradakis Disclosure Day takes science fiction in reverse. Indeed, the film's object is not the UFO, it is disclosure. A truth changes status, passes from secret to common good, and humanity discovers the most fragile limit of any civilization: its capacity to name. When the voice cuts out live, Spielberg films less a shock from the sky than
Anthony Xiradakis
Mar 106 min read
THE WOMEN’S HOUSE
THE WOMEN’S HOUSE A film by Mélisa Godet The Intimate Architecture of The Women’s House By Serge Leterrier “ You rebuild a woman with what is tangible: time, structure, and gestures that are true. ” — Serge Leterrier A house always begins with a threshold. In The Women's House , that threshold separates two ways the world can feel: outside, noise and threat; inside, a space where words find support again. This passage is not merely architectural — it is spiritual. It marks th
Serge Leterrier
Mar 35 min read
NO OTHER CHOICE
NO OTHER CHOICE A Film by Park Chan-wook When the World Turns the Unthinkable into a Solution “No other choice. The worst part isn’t the crime. It’s the logic behind it.” — Serge Leterrier Some titles announce a plot. Others announce a trap. This one does more than name a story: it plants an idea inside the viewer’s mind. A sentence that sounds like fate, like evidence, almost like an excuse. A sentence we hear everywhere, in a thousand everyday forms as well as in extreme
Serge Leterrier
Feb 207 min read
BUGONIA
BUGONIA A Film by Yorgos Lanthimos Conspiracy as Emotional Refuge By Anthony Xiradakis Academy Award-Nominated "Chaos always seeks a face. Even an invented one." The Psychic Shelter Two men kidnap a woman. They believe her to be extraterrestrial. They think she orchestrates the end of the world. This conviction drives them to act. They meticulously prepare their operation. They surveil, plan, execute. Their logic holds together. Each element interlocks. Each clue confirms the
Anthony Xiradakis
Feb 176 min read
GOUROU
GOUROU By Yann Gozlan The Marketplace of Meaning By Serge Leterrier In Gourou , Yann Gozlan does not portray a spectacular figure of domination. He films a shift. A slow, almost imperceptible drift. Something that settles quietly into a space already weakened. The story unfolds without noise, without excess, with the patience of a process that takes root because the ground allows it. The gaze moves away from caricature to reach something more sensitive, more contemporary:
Serge Leterrier
Feb 135 min read
SENTIMENTAL VALUE
SENTIMENTAL VALUE by Joachim Trier Loving Without Resolution By Lysandra DL Academy Award–nominated “Some bonds do not seek to heal. They learn how to endure.” Sentimental Value can be read as a film about love that survives without repair, about emotional inheritance without consolation, about creation as an attempt to reach what remains irreducibly lost. In Sentimental Value , Trier approaches the family the way one approaches a fragile object kept too long in a sealed roo
Lysandra DL
Feb 105 min read
MARTY SUPREME
MARTY SUPREME D irected by Josh Safdie Existing Through the Gesture By Anthony Xiradakis “Some people learn to exist in proportion to what they accomplish.” In Marty Supreme , Josh Safdie films a body in motion—but more than that, a mind under strain. This is not the story of a champion’s rise. It is an observation of how a human being learns to merge with what he does. Marty moves through the world with the certainty that existence must be proven. Every gesture, every point
Anthony Xiradakis
Feb 64 min read
HAMNET
HAMNET Directed by Chloé Zhao “Carrying Absence” By Lyssandra DL “Some pains never heal. You simply learn to accept them.” The Crack Hamnet falls ill one summer morning. The fever rises. His body burns. Agnes lays her hands on his forehead, searches through plants, through the gestures of the old ways, through everything she knows about life and death. Nothing works. The eleven-year-old boy slips away—slowly, inexorably. He leaves behind a void that will never close. The film
Lysandra DL
Feb 36 min read
SINNERS
SINNERS A Film by Ryan Coogler By Imanos Santos Carnal, Predatory, Musical. Ryan Coogler returns. After Black Panther, after Creed, after proving he knows how to film flesh as much as soul, he plunges into Mississippi 1932. An era of segregation, institutionalized violence, survival through dignity. Two twin brothers come home. They carry a heavy past, invisible scars, accumulated exhaustion. Their project seems simple: open a blues club. A place to breathe. A space of freedo
Imanos Santos
Jan 306 min read
NUREMBERG
NUREMBERG When Evil Becomes a Mirror By Serge Leterrier The Trap of Understanding On January 28, 2026, the anniversary of Auschwitz's liberation, James Vanderbilt's Nuremberg arrives in theaters, starring Russell Crowe, Rami Malek, and Michael Shannon. Beyond its historical recreation of the 20th century's most significant trial, the film poses a dizzying question rarely explored in cinema: what happens to the consciousness of a man who must look absolute evil in the face and
Serge Leterrier
Jan 206 min read
WUTHERING HEIGHTS
WUTHERING HEIGHTS Emerald Fennell and Passion as an Abyss By Serge Leterrier “What if literature’s greatest love story was, in truth, a tale of mutual destruction?” On February 13, 2026 , Emerald Fennell takes hold of Emily Brontë’s monument with Margot Robbie and Jacob Elordi —a collision poised to reawaken one of English literature’s most ravaging myths. But beyond the cinematic event, something deeper is at stake: a meditation on passion as a force that does not elevate—
Serge Leterrier
Jan 164 min read
THE DISSOCIATION OF TIME
THE DISSOCIATION OF TIME In Cinema By Serge Leterrier “Cinema dissociates time to reveal its inner truth, turning chronology into living matter—where memory, desire, and perception sculpt duration.” — Serge Leterrier The dissociation of time in cinema often appears before the first shot, in that precise shiver when the theater goes dark and the mind consents to another temporality. The film then offers a singular experience: the instant no longer answers to the rhythm of hand
Serge Leterrier
Jan 65 min read
AVATAR: FIRE AND ASH
AVATAR: FIRE AND ASH A film by James Cameron The Burn of the Real, the Caress of the Sacred By Serge Leterrier A symbolic and initiatory reading of the third Avatar “Fire does not always destroy: sometimes it reveals what was already burning within us.” Avatar: Fire and Ash comes forward like an incandescent mirror held up to our era—its ruins, its rebirths. James Cameron has nothing left to prove in spectacle; he no longer needs to persuade us that Pandora can expand to the
Serge Leterrier
Dec 19, 20256 min read
Furcy, Born Free
Furcy, Born Free Dignity on the Edge of the Abyss By Anthony Xiradakis “The ink of masters draws chains; the ink of resisters engraves History.” Law can lie. Legal systems devised by human beings sometimes carry within them a particular kind of violence, one that turns humanity into merchandise, flesh into property, existence into a commercial transaction. The cinema of Abou Ndiaye confronts this fundamental contradiction: how can one remain oneself when the legal system decr
Anthony Xiradakis
Dec 12, 20255 min read
LAURENT BITTY
LAURENT BITTY Architect of a New Ivorian Audiovisual Ecosystem By Faustin André Cédric Kissi Koua The Ivorian film and audiovisual landscape is undergoing a profound transformation, driven by key figures whose commitment extends far beyond artistic production to include structuring the sector and passing on knowledge. Among them, Laurent Bitty stands out as a central figure, combining the roles of perceptive producer, socially engaged director, and president of initiatives th
Koua Faustin André Cédric
Dec 9, 20253 min read
MAGELLAN
MAGELLAN Dawn of the World By Imanos Santos Epic ~ Visceral ~ Visionary The ocean howls its verdict. The sails snap against the mast while Fernando de Magalhães stares at the horizon with the stubborn resolve of men who refuse reason. Cinema regains here its primary vocation: to show the impossible, to etch onto the screen the trembling lines of human courage confronting the cosmic indifference of the elements. Magellan --------------------------------------------------------
Imanos Santos
Nov 28, 20256 min read
FRENCH CINEMA RESISTS
FRENCH CINEMA RESISTS An Alternative to the Blockbuster By Serge Leterrier "Faced with content uniformization, faced with algorithms that format narratives, these filmmakers choose rigor, singularity, risk." December 3, 2025 marks a singular date for French cinema. Three works release simultaneously, three narratives refusing the ease of mainstream spectacle to plunge into the abysses of the human psyche. This synchronicity reveals more than calendar coincidence: it testifies
Serge Leterrier
Nov 25, 20253 min read
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