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HAMNET
HAMNET Directed by Chloé Zhao “Carrying Absence” By Lyssandra DL “Some pains never heal. You simply learn to accept them.” The Crack Hamnet falls ill one summer morning. The fever rises. His body burns. Agnes lays her hands on his forehead, searches through plants, through the gestures of the old ways, through everything she knows about life and death. Nothing works. The eleven-year-old boy slips away—slowly, inexorably. He leaves behind a void that will never close. The film
Lysandra DL
1 day ago6 min read
SINNERS
SINNERS A Film by Ryan Coogler By Imanos Santos Carnal, Predatory, Musical. Ryan Coogler returns. After Black Panther, after Creed, after proving he knows how to film flesh as much as soul, he plunges into Mississippi 1932. An era of segregation, institutionalized violence, survival through dignity. Two twin brothers come home. They carry a heavy past, invisible scars, accumulated exhaustion. Their project seems simple: open a blues club. A place to breathe. A space of freedo
Imanos Santos
5 days ago6 min read
NUREMBERG
NUREMBERG When Evil Becomes a Mirror By Serge Leterrier The Trap of Understanding On January 28, 2026, the anniversary of Auschwitz's liberation, James Vanderbilt's Nuremberg arrives in theaters, starring Russell Crowe, Rami Malek, and Michael Shannon. Beyond its historical recreation of the 20th century's most significant trial, the film poses a dizzying question rarely explored in cinema: what happens to the consciousness of a man who must look absolute evil in the face and
Serge Leterrier
Jan 206 min read
WUTHERING HEIGHTS
WUTHERING HEIGHTS Emerald Fennell and Passion as an Abyss By Serge Leterrier “What if literature’s greatest love story was, in truth, a tale of mutual destruction?” On February 13, 2026 , Emerald Fennell takes hold of Emily Brontë’s monument with Margot Robbie and Jacob Elordi —a collision poised to reawaken one of English literature’s most ravaging myths. But beyond the cinematic event, something deeper is at stake: a meditation on passion as a force that does not elevate—
Serge Leterrier
Jan 164 min read
THE DISSOCIATION OF TIME
THE DISSOCIATION OF TIME In Cinema By Serge Leterrier “Cinema dissociates time to reveal its inner truth, turning chronology into living matter—where memory, desire, and perception sculpt duration.” — Serge Leterrier The dissociation of time in cinema often appears before the first shot, in that precise shiver when the theater goes dark and the mind consents to another temporality. The film then offers a singular experience: the instant no longer answers to the rhythm of hand
Serge Leterrier
Jan 65 min read
AVATAR: FIRE AND ASH
AVATAR: FIRE AND ASH A film by James Cameron The Burn of the Real, the Caress of the Sacred By Serge Leterrier A symbolic and initiatory reading of the third Avatar “Fire does not always destroy: sometimes it reveals what was already burning within us.” Avatar: Fire and Ash comes forward like an incandescent mirror held up to our era—its ruins, its rebirths. James Cameron has nothing left to prove in spectacle; he no longer needs to persuade us that Pandora can expand to the
Serge Leterrier
Dec 19, 20256 min read
Furcy, Born Free
Furcy, Born Free Dignity on the Edge of the Abyss By Anthony Xiradakis “The ink of masters draws chains; the ink of resisters engraves History.” Law can lie. Legal systems devised by human beings sometimes carry within them a particular kind of violence, one that turns humanity into merchandise, flesh into property, existence into a commercial transaction. The cinema of Abou Ndiaye confronts this fundamental contradiction: how can one remain oneself when the legal system decr
Anthony Xiradakis
Dec 12, 20255 min read
LAURENT BITTY
LAURENT BITTY Architect of a New Ivorian Audiovisual Ecosystem By Faustin André Cédric Kissi Koua The Ivorian film and audiovisual landscape is undergoing a profound transformation, driven by key figures whose commitment extends far beyond artistic production to include structuring the sector and passing on knowledge. Among them, Laurent Bitty stands out as a central figure, combining the roles of perceptive producer, socially engaged director, and president of initiatives th
Koua Faustin André Cédric
Dec 9, 20253 min read
MAGELLAN
MAGELLAN Dawn of the World By Imanos Santos Epic ~ Visceral ~ Visionary The ocean howls its verdict. The sails snap against the mast while Fernando de Magalhães stares at the horizon with the stubborn resolve of men who refuse reason. Cinema regains here its primary vocation: to show the impossible, to etch onto the screen the trembling lines of human courage confronting the cosmic indifference of the elements. Magellan --------------------------------------------------------
Imanos Santos
Nov 28, 20256 min read
FRENCH CINEMA RESISTS
FRENCH CINEMA RESISTS An Alternative to the Blockbuster By Serge Leterrier "Faced with content uniformization, faced with algorithms that format narratives, these filmmakers choose rigor, singularity, risk." December 3, 2025 marks a singular date for French cinema. Three works release simultaneously, three narratives refusing the ease of mainstream spectacle to plunge into the abysses of the human psyche. This synchronicity reveals more than calendar coincidence: it testifies
Serge Leterrier
Nov 25, 20253 min read
QHER WILL BE DONE
QHER WILL BE DONE A Film by Julia Kowalski By Serge Leterrier Peasant Witchcraft: Kowalski's Radical Gambit From the opening frames of Her Will Be Done , this familiar blend of mud and peasant Catholicism seemed destined to join the crowded ranks of French rural chronicles sprinkled with genre elements. Here's where the misunderstanding begins. The Franco-Polish director plays with our expectations to better subvert them, transforming what could have been another portrait of
Serge Leterrier
Nov 21, 20253 min read
SOULM8TE
SOULM8TE Artificial Intelligence at the Service of Desire By Anthony Xiradakis “SOULM8TE ventures into the troubled space where grief merges with desire, and where technology pretends to fill what remains unspeakable. Kate Dolan dissects the illusion of manufactured love, revealing the fragility of a man who entrusts his loneliness to a machine rather than to his own humanity.” Grief wears a thousand faces. Some people cry, others retreat into oblivion. He chooses technology.
Anthony Xiradakis
Nov 18, 20254 min read
THE RUNNING MAN
THE RUNNING MAN Survival in Its Rawest Form By Imanos Santos Relentless. Electric. Prophetic. Relentless The machine crushes. It crushes bodies, hopes, illusions of justice. Ben Richards discovers this truth when the system rejects him definitively. A blacklisted construction worker, father to a sick daughter demanding unaffordable medicine, he traverses existence with that exhaustion marking the socially condemned. Every door remains shut. Each refusal drives deeper the na
Imanos Santos
Nov 14, 20256 min read
Ella McCay
Ella McCay A movie by James L. Brooks Balancing, Sincere, Human By Imanos Santos Some films allow themselves to be confined within formulas. Others resist, overflow, demand to be approached through multiple paths. Ella McCay belongs to this second category. To grasp the substance of this work where James L. Brooks rediscovers all his power after years of absence, three words emerge. Three qualities that, together, sketch the portrait of a rare cinema: one that dares to fil
Imanos Santos
Nov 5, 20256 min read
ECHOES OF THE PAST
ECHOES OF THE PAST The Ontology of Repetition A film by Mascha Schilinski By Anthony Xiradakis "History repeats itself, first as tragedy, second as farce." - Karl Marx Time is not a line. This truth, long established by contemporary physics, cinema still struggles to translate into images. Mascha Schilinski takes up this challenge in her second feature film with an ambition bordering on excess. Four young girls in four different eras—Alma, Erika, Angelika, and Lenka—go throug
Anthony Xiradakis
Nov 4, 20257 min read
ONE BATTLE AFTER ANOTHER
ONE BATTLE AFTER ANOTHER Paul Thomas Anderson's Mastered Chaos By Imanos Santos Unsteady. Furious. Chaplinesque. The bathrobe flutters in the California wind. Bob Ferguson is no hero. He reeks of alcohol, his poorly trimmed beard tells the story of years of neglect, and his paranoid gaze betrays a man who abandoned his ideals somewhere between the Mexican border and a broken-down couch. Yet he's the one Paul Thomas Anderson chose to carry his most ambitious, most expensive, m
Imanos Santos
Oct 31, 20259 min read
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