top of page
Copyright Notice
The photos and illustrations used on this blog and on all of the group's websites were provided by production companies or other distribution and communication channels and are rightly considered royalty-free. However, if you are the owner of an image, photo, or illustration used on our sites and you believe that its use constitutes a violation of your copyright, please contact us so that we can remove the visual in question as quickly as possible. We make every effort to ensure that all visuals on our sites and blog are used in accordance with copyright laws.
Search
MINOTAUR
MINOTAUR A film by Andrey Zvyagintsev The Inner Labyrinth Presented in the Official Selection of the 79th Cannes International Film Festival Anthony Xiradakis — For Diamont Media "What we flee takes shape in what we build." — Anthony Xiradakis Andrey Zvyagintsev has established himself over two decades as one of the most rigorous voices in world cinema. The Banishment, Elena, Leviathan — each film has dug a little deeper into the moral architecture of human existence, and in
Anthony Xiradakis
May 16 min read
FATHERLAND
FATHERLAND A film by Pawel Pawlikowski Between Roots and Becoming Presented in the Official Selection of the 79th Cannes International Film Festival Imanos Santos — For Diamont Media With Fatherland, Pawel Pawlikowski offers a journey inhabited by movement, where origin becomes living matter. Between memory, identity, and momentum, the film reshapes our relationship to what we carry — and to what we choose to become. Cast : Sandra Hüller, Hanns Zischler Some filmmakers retur
Imanos Santos
Apr 274 min read
PARALLEL STORIES
PARALLEL STORIES A film by Asghar Farhadi Understanding without reducing Presented in the Official Selection of the 79th Cannes Film Festival Serge Leterrier — For Diamont Média In Parallel Stories, Asghar Farhadi offers a space for perception rather than a narrative to resolve. Trajectories intersect, perspectives shift, and each point of view illuminates a fragment of reality. The film invites us to embrace human complexity with sincerity and clarity. Virginie Elfira I Scr
Serge Leterrier
Apr 244 min read
A TRIBUTE TO NATHALIE BAYE
A TRIBUTE TO NATHALIE BAYE What Nathalie Baye Did Not Show Serge Leterrier — For Diamont Media "Some presences leave the screen. They remain in the way we receive light." — Serge Leterrier What Nathalie Baye did not show opens a space immediately. A discreet territory, almost secret, one that eludes the obvious and the hasty glance. It leads toward an actress whose presence never sought to impose itself, but to inscribe itself in something deeper, quieter, more lasting. Nat
Serge Leterrier
Apr 205 min read
MOTHER MARY
MOTHER MARY A film by David Lowery Beneath the Icon, the Memory of a Wound Lysandra DL — For Diamont Media On the eve of a return to the spotlight, Mother Mary shifts the gaze far away from the usual narrative of fame. David Lowery seems to be filming something else here, an icon reclaimed by her own memory, a public body caught up by those who helped shape it, an image pierced by what it once believed it had buried. Beneath the radiance, the film appears to uncover a deeper
Lysandra DL
Apr 66 min read
THE DRAMA
THE DRAMA A film by Kristoffer Borgli Love as Narrative, Truth as Rupture By Serge Leterrier — For Diamont Media Just days before their wedding, a secret shakes a couple to the core. That is the premise. The Drama goes far deeper. It dissects the way each person invents the other within the architecture of their own mental framework. The shock does not merely destroy a relationship; it destroys the intimate narrative that made that relationship possible. Kristoffer Borgli de
Serge Leterrier
Apr 36 min read
THE DEVIL WEARS PRADA 2
THE DEVIL WEARS PRADA 2 A Film by David Frankel When Miranda Meets the Algorithm Imanos Santos — For Diamont Média Authority — Algorithm — Vertigo Twenty years later, The Devil Wears Prada 2 returns with a question burning on my lips: who decides value today? Miranda embodies the authority of the gaze, facing the algorithm, budgets, speed. A sequel that speaks of fashion, yet dissects above all our era. Meryl Streep in The Devil Wears Prada I Azaes Création This second chap
Imanos Santos
Mar 304 min read
Cannes in a Time of Conflict
79th CANNES FILM FESTIVAL Cannes in a Time of Conflict Serge Leterrier — For Diamont Média The Hospitality of Images “ When the world closes in, a place that welcomes becomes a necessity. ”— Serge Leterrier In wartime, the Cannes Film Festival reads less as a celebration than as a structure. Behind the red carpet, another reality is at work: visas, travel routes, security, translation, the market, the dark theater, shared silence. A concrete, decisive craft of hospitality tha
Serge Leterrier
Mar 274 min read
JESSIE BUCKLEY
JESSIE BUCKLEY The Victory of the Invisible Oscars 2026 Lyssandra DL — For Diamont Média Under the lights of the Dolby Theatre, the 98th Academy Awards delivered its verdicts and its silences, its brilliance and its breaths. And in the middle of this night of images, one truth settled with particular grace: Jessie Buckley won the Oscar for Best Actress for Hamnet . An award that honors precision over volume, and reminds us that certain presences move us through their sobriet
Lysandra DL
Mar 234 min read
DISCLOSURE DAY
DISCLOSURE DAY The Day the World Loses Its Voice Anthony Xiradakis "When speech fails, reality demands a new consciousness." — Anthony Xiradakis Disclosure Day takes science fiction in reverse. Indeed, the film's object is not the UFO, it is disclosure. A truth changes status, passes from secret to common good, and humanity discovers the most fragile limit of any civilization: its capacity to name. When the voice cuts out live, Spielberg films less a shock from the sky than
Anthony Xiradakis
Mar 106 min read
THE WOMEN’S HOUSE
THE WOMEN’S HOUSE A film by Mélisa Godet The Intimate Architecture of The Women’s House By Serge Leterrier “ You rebuild a woman with what is tangible: time, structure, and gestures that are true. ” — Serge Leterrier A house always begins with a threshold. In The Women's House , that threshold separates two ways the world can feel: outside, noise and threat; inside, a space where words find support again. This passage is not merely architectural — it is spiritual. It marks th
Serge Leterrier
Mar 35 min read
BUGONIA
BUGONIA A Film by Yorgos Lanthimos Conspiracy as Emotional Refuge By Anthony Xiradakis Academy Award-Nominated "Chaos always seeks a face. Even an invented one." The Psychic Shelter Two men kidnap a woman. They believe her to be extraterrestrial. They think she orchestrates the end of the world. This conviction drives them to act. They meticulously prepare their operation. They surveil, plan, execute. Their logic holds together. Each element interlocks. Each clue confirms the
Anthony Xiradakis
Feb 176 min read
GOUROU
GOUROU By Yann Gozlan The Marketplace of Meaning By Serge Leterrier In Gourou , Yann Gozlan does not portray a spectacular figure of domination. He films a shift. A slow, almost imperceptible drift. Something that settles quietly into a space already weakened. The story unfolds without noise, without excess, with the patience of a process that takes root because the ground allows it. The gaze moves away from caricature to reach something more sensitive, more contemporary:
Serge Leterrier
Feb 135 min read
SENTIMENTAL VALUE
SENTIMENTAL VALUE by Joachim Trier Loving Without Resolution By Lysandra DL Academy Award–nominated “Some bonds do not seek to heal. They learn how to endure.” Sentimental Value can be read as a film about love that survives without repair, about emotional inheritance without consolation, about creation as an attempt to reach what remains irreducibly lost. In Sentimental Value , Trier approaches the family the way one approaches a fragile object kept too long in a sealed roo
Lysandra DL
Feb 105 min read
MARTY SUPREME
MARTY SUPREME D irected by Josh Safdie Existing Through the Gesture By Anthony Xiradakis “Some people learn to exist in proportion to what they accomplish.” In Marty Supreme , Josh Safdie films a body in motion—but more than that, a mind under strain. This is not the story of a champion’s rise. It is an observation of how a human being learns to merge with what he does. Marty moves through the world with the certainty that existence must be proven. Every gesture, every point
Anthony Xiradakis
Feb 64 min read
HAMNET
HAMNET Directed by Chloé Zhao “Carrying Absence” By Lyssandra DL “Some pains never heal. You simply learn to accept them.” The Crack Hamnet falls ill one summer morning. The fever rises. His body burns. Agnes lays her hands on his forehead, searches through plants, through the gestures of the old ways, through everything she knows about life and death. Nothing works. The eleven-year-old boy slips away—slowly, inexorably. He leaves behind a void that will never close. The film
Lysandra DL
Feb 36 min read
WUTHERING HEIGHTS
WUTHERING HEIGHTS Emerald Fennell and Passion as an Abyss By Serge Leterrier “What if literature’s greatest love story was, in truth, a tale of mutual destruction?” On February 13, 2026 , Emerald Fennell takes hold of Emily Brontë’s monument with Margot Robbie and Jacob Elordi —a collision poised to reawaken one of English literature’s most ravaging myths. But beyond the cinematic event, something deeper is at stake: a meditation on passion as a force that does not elevate—
Serge Leterrier
Jan 164 min read
BRIGITTE BARDOT
BRIGITTE BARDOT The Transmutation of the Sacred Feminine By Serge Leterrier From consumed idol to fierce guardian: reading a spiritual metamorphosis This Sunday, December 28, 2025, a house facing the Mediterranean witnessed the completion of one of the century's most radical metamorphoses. Brigitte Bardot died at 91, facing that sea which was always far more than a backdrop: a mirror, a refuge, a matrix of dissolution and rebirth. La Madrague, this name turned legend, was n
Serge Leterrier
Dec 30, 20255 min read
AVATAR: FIRE AND ASH
AVATAR: FIRE AND ASH A film by James Cameron The Burn of the Real, the Caress of the Sacred By Serge Leterrier A symbolic and initiatory reading of the third Avatar “Fire does not always destroy: sometimes it reveals what was already burning within us.” Avatar: Fire and Ash comes forward like an incandescent mirror held up to our era—its ruins, its rebirths. James Cameron has nothing left to prove in spectacle; he no longer needs to persuade us that Pandora can expand to the
Serge Leterrier
Dec 19, 20256 min read
Furcy, Born Free
Furcy, Born Free Dignity on the Edge of the Abyss By Anthony Xiradakis “The ink of masters draws chains; the ink of resisters engraves History.” Law can lie. Legal systems devised by human beings sometimes carry within them a particular kind of violence, one that turns humanity into merchandise, flesh into property, existence into a commercial transaction. The cinema of Abou Ndiaye confronts this fundamental contradiction: how can one remain oneself when the legal system decr
Anthony Xiradakis
Dec 12, 20255 min read
bottom of page