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HAMNET
HAMNET Directed by Chloé Zhao “Carrying Absence” By Lyssandra DL “Some pains never heal. You simply learn to accept them.” The Crack Hamnet falls ill one summer morning. The fever rises. His body burns. Agnes lays her hands on his forehead, searches through plants, through the gestures of the old ways, through everything she knows about life and death. Nothing works. The eleven-year-old boy slips away—slowly, inexorably. He leaves behind a void that will never close. The film
Lysandra DL
1 day ago6 min read
SINNERS
SINNERS A Film by Ryan Coogler By Imanos Santos Carnal, Predatory, Musical. Ryan Coogler returns. After Black Panther, after Creed, after proving he knows how to film flesh as much as soul, he plunges into Mississippi 1932. An era of segregation, institutionalized violence, survival through dignity. Two twin brothers come home. They carry a heavy past, invisible scars, accumulated exhaustion. Their project seems simple: open a blues club. A place to breathe. A space of freedo
Imanos Santos
5 days ago6 min read
RETURN TO SILENT HILL
RETURN TO SILENT HILL A Confession in the Fog By Serge Leterrier “In the fog, it isn’t the path that disappears… it’s the illusion.” We often believe horror films follow one simple rule: there is a threat, there is danger, and someone must survive. We expect screams, monsters, shadows, a sequence of shocks carefully planted in darkness. And then certain films shift the ground entirely. They do not simply aim to frighten. They provoke recognition. As if, instead of running fro
Serge Leterrier
Jan 276 min read
ORWELL: 2+2=5
ORWELL: 2+2=5 When Truth Stops Being a Fact and Becomes a Fatigue By Serge Leterrier “Some stories do not simply warn us about power — they reveal what the mind becomes when it must survive the unbearable, and why, in that inner pressure, even the impossible can start to feel… necessary.” — Serge Leterrier (Horizon of mind – 2026) Raoul Peck’s Orwell: 2+2=5 feels less like a conventional film and more like a documentary-essay — a lucid journey built from observation rather
Serge Leterrier
Jan 237 min read
NUREMBERG
NUREMBERG When Evil Becomes a Mirror By Serge Leterrier The Trap of Understanding On January 28, 2026, the anniversary of Auschwitz's liberation, James Vanderbilt's Nuremberg arrives in theaters, starring Russell Crowe, Rami Malek, and Michael Shannon. Beyond its historical recreation of the 20th century's most significant trial, the film poses a dizzying question rarely explored in cinema: what happens to the consciousness of a man who must look absolute evil in the face and
Serge Leterrier
Jan 206 min read
WUTHERING HEIGHTS
WUTHERING HEIGHTS Emerald Fennell and Passion as an Abyss By Serge Leterrier “What if literature’s greatest love story was, in truth, a tale of mutual destruction?” On February 13, 2026 , Emerald Fennell takes hold of Emily Brontë’s monument with Margot Robbie and Jacob Elordi —a collision poised to reawaken one of English literature’s most ravaging myths. But beyond the cinematic event, something deeper is at stake: a meditation on passion as a force that does not elevate—
Serge Leterrier
Jan 164 min read
Jacques Kam
Jacques Kam The Architect in the Shadows, a Pillar of African Cinema By Faustin André Cédric Kissi Koua In the glare of spotlights and the pageantry of red carpets, attention naturally turns to directors, actors, and screenwriters. Yet away from the cameras—far from applause—works a central figure without whom no film could ever be made: the general production manager (chief location manager). A true architect in the shadows, he is the quiet guarantor of a shoot’s success. In
Koua Faustin André Cédric
Jan 133 min read
CROSSED PORTRAITS
CROSSED PORTRAITS Xavier Dolan & Pedro Almodóvar The Intimate in Technicolor By Imanos Santos Feverish, baroque, sincere—three words to trace the outline of two filmmakers who refuse the lukewarm comfort of their time. They are feverish because they shoot on the edge of rupture, in that fragile zone where emotion threatens to flood everything. Their cameras feel like instruments of survival: Dolan films as one confesses, breath short, nerves exposed; Almodóvar composes like
Imanos Santos
Jan 94 min read
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