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KARIATA N°3
Kariata numéro 3 An Inspiration Drawn from the World’s Showcase Between Shot and Reverse Shot By Marie Ange Barbancourt Editor‑in‑Chief and Director of Development, Diamond History Group A Festival is fertile ground for stories that make us dream, reflect, or laugh. A temporal voyage that allows us to absorb the essential memory of peoples. KARIATA N°3 Each of us has the privilege of placing every universe into its own carefully arranged chamber, where we may return at will
Marie Ange Barbancourt
1 day ago2 min read
MINOTAUR
MINOTAUR A film by Andrey Zvyagintsev The Inner Labyrinth Presented in the Official Selection of the 79th Cannes International Film Festival Anthony Xiradakis — For Diamont Media "What we flee takes shape in what we build." — Anthony Xiradakis Andrey Zvyagintsev has established himself over two decades as one of the most rigorous voices in world cinema. The Banishment, Elena, Leviathan — each film has dug a little deeper into the moral architecture of human existence, and in
Anthony Xiradakis
May 16 min read
FATHERLAND
FATHERLAND A film by Pawel Pawlikowski Between Roots and Becoming Presented in the Official Selection of the 79th Cannes International Film Festival Imanos Santos — For Diamont Media With Fatherland, Pawel Pawlikowski offers a journey inhabited by movement, where origin becomes living matter. Between memory, identity, and momentum, the film reshapes our relationship to what we carry — and to what we choose to become. Cast : Sandra Hüller, Hanns Zischler Some filmmakers retur
Imanos Santos
Apr 274 min read
PARALLEL STORIES
PARALLEL STORIES A film by Asghar Farhadi Understanding without reducing Presented in the Official Selection of the 79th Cannes Film Festival Serge Leterrier — For Diamont Média In Parallel Stories, Asghar Farhadi offers a space for perception rather than a narrative to resolve. Trajectories intersect, perspectives shift, and each point of view illuminates a fragment of reality. The film invites us to embrace human complexity with sincerity and clarity. Virginie Elfira I Scr
Serge Leterrier
Apr 244 min read
FLIGHT BY NIGHT TO LOS ANGELES
FLIGHT BY NIGHT TO LOS ANGELES A film by John Travolta The Sky as Promise, the Journey as Inspiration Serge Leterrier — For Diamont Media “A destination may inspire dreams, but a journey can teach us how to see.” — Serge Leterrier Presented in world premiere at the 2026 Cannes Film Festival in the Cannes Première section, Flight by Night to Los Angeles marks John Travolta’s arrival as a director through a gesture that seems shaped less by spectacle than by transmission. Wri
Serge Leterrier
Apr 174 min read
PRESSURE
PRESSURE A film by Anthony Maras When History Awaits the Sky’s Permission Anthony Xiradakis — For Diamont Media “There are days when the fate of a century hangs on a break in the clouds.” — Anthony Xiradakis As D-Day approaches, Pressure shifts the gaze far away from military heroism alone. Anthony Maras seems to film a more fragile and vertiginous moment, the moment when human power discovers its dependence, when war, strategy and the will of commanders are suspended by a d
Anthony Xiradakis
Apr 105 min read
MOTHER MARY
MOTHER MARY A film by David Lowery Beneath the Icon, the Memory of a Wound Lysandra DL — For Diamont Media On the eve of a return to the spotlight, Mother Mary shifts the gaze far away from the usual narrative of fame. David Lowery seems to be filming something else here, an icon reclaimed by her own memory, a public body caught up by those who helped shape it, an image pierced by what it once believed it had buried. Beneath the radiance, the film appears to uncover a deeper
Lysandra DL
Apr 66 min read
THE DRAMA
THE DRAMA A film by Kristoffer Borgli Love as Narrative, Truth as Rupture By Serge Leterrier — For Diamont Media Just days before their wedding, a secret shakes a couple to the core. That is the premise. The Drama goes far deeper. It dissects the way each person invents the other within the architecture of their own mental framework. The shock does not merely destroy a relationship; it destroys the intimate narrative that made that relationship possible. Kristoffer Borgli de
Serge Leterrier
Apr 36 min read
THE DEVIL WEARS PRADA 2
THE DEVIL WEARS PRADA 2 A Film by David Frankel When Miranda Meets the Algorithm Imanos Santos — For Diamont Média Authority — Algorithm — Vertigo Twenty years later, The Devil Wears Prada 2 returns with a question burning on my lips: who decides value today? Miranda embodies the authority of the gaze, facing the algorithm, budgets, speed. A sequel that speaks of fashion, yet dissects above all our era. Meryl Streep in The Devil Wears Prada I Azaes Création This second chap
Imanos Santos
Mar 304 min read
MICHAEL B. JORDAN
MICHAEL B. JORDAN Two Presences, One Face Oscars 2026 Serge Leterrier — For Diamont Média Sinners leaves this Oscars night with four statuettes that outline a complete victory: Best Actor for Michael B. Jordan, Best Original Screenplay for Ryan Coogler, Best Original Score for Ludwig Göransson, and Best Cinematography for Autumn Durald Arkapaw. Best Actor Oscar for Sinners I @ screenshot live ABC Best Actor for Sinners “Here, the performance comes down to one thing: crea
Serge Leterrier
Mar 164 min read
ONE BATTLE AFTER ANOTHER
ONE BATTLE AFTER ANOTHER A film of Paul Thomas Anderson War as a Tribunal Academy Awards 2026 By Anthony Xiradakis At the 98th Academy Awards , One Battle After Another earned 13 nominations and won six Oscars : Best Picture , Best Director (Paul Thomas Anderson), Best Supporting Actor (Sean Penn), Best Adapted Screenplay , Best Film Editing , and Best Casting . This recognition marks a singular moment: Hollywood is honoring a film that sidesteps the usual action-thrille
Anthony Xiradakis
Mar 168 min read
PROJECT HAIL MARY
PROJECT HAIL MARY A film by Phil Lord and Christopher Miller Solitude as a Planet By Imanos Santos Amnesia — Ingenuity — Alliance A man wakes up far from everything, without memory, with emptiness as his only neighbor. Project Hail Mary tells a space mission, yes, but above all an inner experience: solitude pushed until it becomes a planet. And in that total silence, the film offers a sharp, deeply contemporary idea: what saves us is not only a solution, but an alliance. You
Imanos Santos
Mar 135 min read
DISCLOSURE DAY
DISCLOSURE DAY The Day the World Loses Its Voice Anthony Xiradakis "When speech fails, reality demands a new consciousness." — Anthony Xiradakis Disclosure Day takes science fiction in reverse. Indeed, the film's object is not the UFO, it is disclosure. A truth changes status, passes from secret to common good, and humanity discovers the most fragile limit of any civilization: its capacity to name. When the voice cuts out live, Spielberg films less a shock from the sky than
Anthony Xiradakis
Mar 106 min read
NO OTHER CHOICE
NO OTHER CHOICE A Film by Park Chan-wook When the World Turns the Unthinkable into a Solution “No other choice. The worst part isn’t the crime. It’s the logic behind it.” — Serge Leterrier Some titles announce a plot. Others announce a trap. This one does more than name a story: it plants an idea inside the viewer’s mind. A sentence that sounds like fate, like evidence, almost like an excuse. A sentence we hear everywhere, in a thousand everyday forms as well as in extreme
Serge Leterrier
Feb 207 min read
BUGONIA
BUGONIA A Film by Yorgos Lanthimos Conspiracy as Emotional Refuge By Anthony Xiradakis Academy Award-Nominated "Chaos always seeks a face. Even an invented one." The Psychic Shelter Two men kidnap a woman. They believe her to be extraterrestrial. They think she orchestrates the end of the world. This conviction drives them to act. They meticulously prepare their operation. They surveil, plan, execute. Their logic holds together. Each element interlocks. Each clue confirms the
Anthony Xiradakis
Feb 176 min read
GOUROU
GOUROU By Yann Gozlan The Marketplace of Meaning By Serge Leterrier In Gourou , Yann Gozlan does not portray a spectacular figure of domination. He films a shift. A slow, almost imperceptible drift. Something that settles quietly into a space already weakened. The story unfolds without noise, without excess, with the patience of a process that takes root because the ground allows it. The gaze moves away from caricature to reach something more sensitive, more contemporary:
Serge Leterrier
Feb 135 min read
MARTY SUPREME
MARTY SUPREME D irected by Josh Safdie Existing Through the Gesture By Anthony Xiradakis “Some people learn to exist in proportion to what they accomplish.” In Marty Supreme , Josh Safdie films a body in motion—but more than that, a mind under strain. This is not the story of a champion’s rise. It is an observation of how a human being learns to merge with what he does. Marty moves through the world with the certainty that existence must be proven. Every gesture, every point
Anthony Xiradakis
Feb 64 min read
HAMNET
HAMNET Directed by Chloé Zhao “Carrying Absence” By Lyssandra DL “Some pains never heal. You simply learn to accept them.” The Crack Hamnet falls ill one summer morning. The fever rises. His body burns. Agnes lays her hands on his forehead, searches through plants, through the gestures of the old ways, through everything she knows about life and death. Nothing works. The eleven-year-old boy slips away—slowly, inexorably. He leaves behind a void that will never close. The film
Lysandra DL
Feb 36 min read
SINNERS
SINNERS A Film by Ryan Coogler By Imanos Santos Carnal, Predatory, Musical. Ryan Coogler returns. After Black Panther, after Creed, after proving he knows how to film flesh as much as soul, he plunges into Mississippi 1932. An era of segregation, institutionalized violence, survival through dignity. Two twin brothers come home. They carry a heavy past, invisible scars, accumulated exhaustion. Their project seems simple: open a blues club. A place to breathe. A space of freedo
Imanos Santos
Jan 306 min read
RETURN TO SILENT HILL
RETURN TO SILENT HILL A Confession in the Fog By Serge Leterrier “In the fog, it isn’t the path that disappears… it’s the illusion.” We often believe horror films follow one simple rule: there is a threat, there is danger, and someone must survive. We expect screams, monsters, shadows, a sequence of shocks carefully planted in darkness. And then certain films shift the ground entirely. They do not simply aim to frighten. They provoke recognition. As if, instead of running fro
Serge Leterrier
Jan 276 min read
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