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MICHAEL B. JORDAN
MICHAEL B. JORDAN Two Presences, One Face Oscars 2026 Serge Leterrier — For Diamont Média Sinners leaves this Oscars night with four statuettes that outline a complete victory: Best Actor for Michael B. Jordan, Best Original Screenplay for Ryan Coogler, Best Original Score for Ludwig Göransson, and Best Cinematography for Autumn Durald Arkapaw. Best Actor Oscar for Sinners I @ screenshot live ABC Best Actor for Sinners “Here, the performance comes down to one thing: crea

Serge Leterrier
Mar 164 min read


ONE BATTLE AFTER ANOTHER
ONE BATTLE AFTER ANOTHER A film of Paul Thomas Anderson War as a Tribunal Academy Awards 2026 By Anthony Xiradakis At the 98th Academy Awards , One Battle After Another earned 13 nominations and won six Oscars : Best Picture , Best Director (Paul Thomas Anderson), Best Supporting Actor (Sean Penn), Best Adapted Screenplay , Best Film Editing , and Best Casting . This recognition marks a singular moment: Hollywood is honoring a film that sidesteps the usual action-thrille

Anthony Xiradakis
Mar 168 min read


PROJECT HAIL MARY
PROJECT HAIL MARY A film by Phil Lord and Christopher Miller Solitude as a Planet By Imanos Santos Amnesia — Ingenuity — Alliance A man wakes up far from everything, without memory, with emptiness as his only neighbor. Project Hail Mary tells a space mission, yes, but above all an inner experience: solitude pushed until it becomes a planet. And in that total silence, the film offers a sharp, deeply contemporary idea: what saves us is not only a solution, but an alliance. You

Imanos Santos
Mar 135 min read


DISCLOSURE DAY
DISCLOSURE DAY The Day the World Loses Its Voice Anthony Xiradakis "When speech fails, reality demands a new consciousness." — Anthony Xiradakis Disclosure Day takes science fiction in reverse. Indeed, the film's object is not the UFO, it is disclosure. A truth changes status, passes from secret to common good, and humanity discovers the most fragile limit of any civilization: its capacity to name. When the voice cuts out live, Spielberg films less a shock from the sky than

Anthony Xiradakis
Mar 106 min read


NO OTHER CHOICE
NO OTHER CHOICE A Film by Park Chan-wook When the World Turns the Unthinkable into a Solution “No other choice. The worst part isn’t the crime. It’s the logic behind it.” — Serge Leterrier Some titles announce a plot. Others announce a trap. This one does more than name a story: it plants an idea inside the viewer’s mind. A sentence that sounds like fate, like evidence, almost like an excuse. A sentence we hear everywhere, in a thousand everyday forms as well as in extreme

Serge Leterrier
Feb 207 min read


BUGONIA
BUGONIA A Film by Yorgos Lanthimos Conspiracy as Emotional Refuge By Anthony Xiradakis Academy Award-Nominated "Chaos always seeks a face. Even an invented one." The Psychic Shelter Two men kidnap a woman. They believe her to be extraterrestrial. They think she orchestrates the end of the world. This conviction drives them to act. They meticulously prepare their operation. They surveil, plan, execute. Their logic holds together. Each element interlocks. Each clue confirms the

Anthony Xiradakis
Feb 176 min read


GOUROU
GOUROU By Yann Gozlan The Marketplace of Meaning By Serge Leterrier In Gourou , Yann Gozlan does not portray a spectacular figure of domination. He films a shift. A slow, almost imperceptible drift. Something that settles quietly into a space already weakened. The story unfolds without noise, without excess, with the patience of a process that takes root because the ground allows it. The gaze moves away from caricature to reach something more sensitive, more contemporary:

Serge Leterrier
Feb 135 min read


MARTY SUPREME
MARTY SUPREME D irected by Josh Safdie Existing Through the Gesture By Anthony Xiradakis “Some people learn to exist in proportion to what they accomplish.” In Marty Supreme , Josh Safdie films a body in motion—but more than that, a mind under strain. This is not the story of a champion’s rise. It is an observation of how a human being learns to merge with what he does. Marty moves through the world with the certainty that existence must be proven. Every gesture, every point

Anthony Xiradakis
Feb 64 min read


HAMNET
HAMNET Directed by Chloé Zhao “Carrying Absence” By Lyssandra DL “Some pains never heal. You simply learn to accept them.” The Crack Hamnet falls ill one summer morning. The fever rises. His body burns. Agnes lays her hands on his forehead, searches through plants, through the gestures of the old ways, through everything she knows about life and death. Nothing works. The eleven-year-old boy slips away—slowly, inexorably. He leaves behind a void that will never close. The film

Lysandra DL
Feb 36 min read


SINNERS
SINNERS A Film by Ryan Coogler By Imanos Santos Carnal, Predatory, Musical. Ryan Coogler returns. After Black Panther, after Creed, after proving he knows how to film flesh as much as soul, he plunges into Mississippi 1932. An era of segregation, institutionalized violence, survival through dignity. Two twin brothers come home. They carry a heavy past, invisible scars, accumulated exhaustion. Their project seems simple: open a blues club. A place to breathe. A space of freedo

Imanos Santos
Jan 306 min read


RETURN TO SILENT HILL
RETURN TO SILENT HILL A Confession in the Fog By Serge Leterrier “In the fog, it isn’t the path that disappears… it’s the illusion.” We often believe horror films follow one simple rule: there is a threat, there is danger, and someone must survive. We expect screams, monsters, shadows, a sequence of shocks carefully planted in darkness. And then certain films shift the ground entirely. They do not simply aim to frighten. They provoke recognition. As if, instead of running fro

Serge Leterrier
Jan 276 min read


ORWELL: 2+2=5
ORWELL: 2+2=5 When Truth Stops Being a Fact and Becomes a Fatigue By Serge Leterrier “Some stories do not simply warn us about power — they reveal what the mind becomes when it must survive the unbearable, and why, in that inner pressure, even the impossible can start to feel… necessary.” — Serge Leterrier (Horizon of mind – 2026) Raoul Peck’s Orwell: 2+2=5 feels less like a conventional film and more like a documentary-essay — a lucid journey built from observation rather

Serge Leterrier
Jan 237 min read


NUREMBERG
NUREMBERG When Evil Becomes a Mirror By Serge Leterrier The Trap of Understanding On January 28, 2026, the anniversary of Auschwitz's liberation, James Vanderbilt's Nuremberg arrives in theaters, starring Russell Crowe, Rami Malek, and Michael Shannon. Beyond its historical recreation of the 20th century's most significant trial, the film poses a dizzying question rarely explored in cinema: what happens to the consciousness of a man who must look absolute evil in the face and

Serge Leterrier
Jan 206 min read


WUTHERING HEIGHTS
WUTHERING HEIGHTS Emerald Fennell and Passion as an Abyss By Serge Leterrier “What if literature’s greatest love story was, in truth, a tale of mutual destruction?” On February 13, 2026 , Emerald Fennell takes hold of Emily Brontë’s monument with Margot Robbie and Jacob Elordi —a collision poised to reawaken one of English literature’s most ravaging myths. But beyond the cinematic event, something deeper is at stake: a meditation on passion as a force that does not elevate—

Serge Leterrier
Jan 164 min read


Jacques Kam
Jacques Kam The Architect in the Shadows, a Pillar of African Cinema By Faustin André Cédric Kissi Koua In the glare of spotlights and the pageantry of red carpets, attention naturally turns to directors, actors, and screenwriters. Yet away from the cameras—far from applause—works a central figure without whom no film could ever be made: the general production manager (chief location manager). A true architect in the shadows, he is the quiet guarantor of a shoot’s success. In

Koua Faustin André Cédric
Jan 133 min read


CROSSED PORTRAITS
CROSSED PORTRAITS Xavier Dolan & Pedro Almodóvar The Intimate in Technicolor By Imanos Santos Feverish, baroque, sincere—three words to trace the outline of two filmmakers who refuse the lukewarm comfort of their time. They are feverish because they shoot on the edge of rupture, in that fragile zone where emotion threatens to flood everything. Their cameras feel like instruments of survival: Dolan films as one confesses, breath short, nerves exposed; Almodóvar composes like

Imanos Santos
Jan 94 min read
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